A very quick wax crayon and watercolor on yupo, 10x10". I definitely could have used fewer lines!
And a very dead day at a very local arts&crafts fair. It was their first day of the first year running the fair, and it was a Friday. And we got a thunderstorm by the end of the day - something that almost never happens here in the desert. Everybody at the fair is hoping for a better tomorrow, and me...I'm just enjoying a break from being a stay-at-home mom.
Watercolor over acrylic gel medium, Arches CP 140lb, 9x12". Reference photo is Goat Transforming into a Cathedral who is also in Julia Kay's Portrait Party, who makes fantastic art and whose Flickr name, when abbreviated, looks remarkably close to "Gotic" (this is the grand revelation I had when naming the image file). Enjoy!
P.S. I can kinda see a cathedral in that abstract background on the right...I mean, of course I planned it all to look like that ;)
Watercolor with touches of gesso on Arches CP 140lb, 9x12". Reference photo is Sandra's grandson, Oliver. The photo she sent me said "Oliver with rainbow," hence the background :)
Watercolor on Arches CP 140lb, 9x12. Painted from a picture of my friend's mom. I feel like I should have left it be around 25 minutes before I actually stopped - but I always want more darks, more depth, more definition. With all that, I lose some of the initial freshness and mood. I guess it's a very fine balance I need to learn to keep!
On a different note, this blog's views reached 10,000 yesterday and I'm happy as a true dork :) Thank you to everyone who came and looked at what I am doing here, and especially to those of you who keep coming back for more. You keep me going!
Watercolor on Arches CP 140lb, 9x12". Photo reference: Angel Zhang of Julia Kay's Portrait Party. Yeah...not very happy with this one. Overkill.
I worked on it while at my booth during a local event yesterday. People really like watching somebody paint (I do, too) and I'm getting used to the pressure of somebody looking over my shoulder. It's not that bad when you space out and ignore the world outside of your painting (which I do anyway, regardless of spectators).
Wordpress was down last night (second night in a row actually...all the more reason in favor of migrating this blog to my own hosting, which I am in the process of doing), so posting today.
Watercolor on Arches cp 140lb, 9x12". Photo reference is Michael Scholl of Julia Kay's Portrait Party.
Watercolor and acrylic gel medium on Arches CP 140lb, 9x12". Interesting thing: Arches paper seems much softer after Canson Montval, much more absorbing (less sizing??) and more difficult to wipe or scrub paint off of.
The reference photo is Kate Larmuth of Julia Kay's Portrait Party.
Oh. And this was not a 30 minute painting, as you can probably tell.
Well, my daily painting today was "unblogably bad" - to quote Genevieve of Summoning of the Muse. So I'll try again tomorrow and for now, here is something I forgot to post in August:
Crayon and watercolor on good ole yupo, 7x10" or so. The location is in Charlottetown, Prince Edward Island (Canada).
Watercolor on Canson Montval CP 140lb, 9x12. Took me around 35 minutes, not counting a couple of breaks. The painting turned out very saturated and colorful and I had difficulties making the image match the painting. This should give a rough idea, though, of course, it's almost always better in person.
Ken Meyer Jr is an artist and illustrator I "met" through RedBubble.com. He sent me some pictures for my A Portrait A Day project and this is the interpretation of one of them. Check out Ken's website here.
Watercolor on Canson Montval CP 140lb, 9x12". Isabella is a 7 year old girl I met at one of the Barstow Harvey House Market Days. She likes to make art, and yesterday she participated in the market as an artist. Take a look at her booth:
I think she pretty much sold out by the end of the day...Unlike me :) (we did make the space fee and the babysitter back, plus a little more that we spent on food and stuff). I bought one of her paintings, too. It depicts Joseph wearing his multicolored robe while his mean brothers sneer at him. I'll put it up in Elijah's room.
More posts are coming, I promise :). Life with a 1 year old has been a little hectic recently - but I'm still sticking to my 206-portraits plan. After doing it for two weeks, however, I realized that 30-minute rule does not work for me very well. I usually end up spending an extra 10-20 minutes getting the painting where I want it to be. So, my new time limit is an hour or less. I still think it's important to keep an eye on the clock for these quick studies, since one of my goals is to get faster.
Watercolor and watercolor sticks on Canson Montval CP 140 lb, 9x12". Painted from life in around 35 mins; the beeeauuutiful bespectacled model is yours truly :D.
Didn't get around to posting this one yesterday, so here it goes. Painted from a photo of my cousin's wife Sveta, but I definitely didn't do her smiling face justice. Spent over an hour trying to make it work and still not happy with it. I'll call it a "learning experience" and count towards those 1000 bad paintings that you are supposed to get out of your system before you get to the good stuff ;)
Watercolor on Canson Montval CP 140lb, 9x12" (running out of those...will switch to Arches soon).
Oh, and today is my birthday, so I will celebrate by painting your humble servant (myself)!
Watercolor and watercolor sticks on Canson Montval CP 140lb, 9x12". Reference photo: Tim Clary from Julia Kay's Portrait Party. Tim's blog here: http://sketchhatch.blogspot.com/
Not sure his eyes are green, the photo was black-and white ;). I went with dark brown/black at first, but somehow, it wasn't very expressive.
Watercolor and watercolor sticks on Canson Montval CP 140lb, 9x12". Painted from a black and white picture of my friend Gloria (who doesn't like it when people call her Grace) that I took during my film photography class at Berkeley. I met her through a Christians on Campus club and she was one of the highlights of my life at the school.
Yes, I know there was no post yesterday. That's because I didn't paint on Friday! And I can completely blame it on my husband, that was all his fault. I set everything up for painting and was about to begin when he asked me if I could wait a little. So I did. Then he told me I had an appointment and had to go somewhere. I had no clue what he was talking about but took the car keys and followed the directions from the GPS. When I got to the place, the first thing I saw was a huge banner with big red letters spelling "MASSAGE" and then "Day Spa Jolie" sign on the building... I had a full body treatment waiting for me, and it was wonderful. I felt maybe not like a princess but at least a duchess. :) And imagine my joy when I came back home and the dinner was ready (made from scratch! So much for his attempts to make me believe he can't cook! ), the house cleaned, and the baby washed and fed. Oh, and flowers! And since my birthday is not until Thursday the 16th, all this was a big and very pleasant surprise. Aaah...I love my husband :)
So now I have a missed portrait to make up for. The one I painted yesterday is Esther, another friend of Sandra's:
Watercolor, watercolor sticks, and gesso on Canson Montval CP 140lb, 9x12. No drawing, as usual with these quick paintings. Esther is 96. This is my first time painting an older person, and I would love to do more!
So, who is this good-looking dude? An American superhero? Nope. A hero of the Soviet revolution? Closer. Meet my grandpa Georgy Agapov. I don't know much about him. He died when my mom was 6 and she rarely mentioned him at all.
Watercolor on Canson Montval CP 140lb, 9x12". A video of the painting process is coming soon!
Watercolor and AJ watercolor sticks on Canson Montval CP 140lb, 9x12". Reference photo is the daughter of Sandra's friends (which means somebody actually did send me a photo to work from! ;)). It is so much more interesting than browsing through pictures of complete strangers. So send me your photos please! :)
Working on this one was a bit hard. I hardly ever do faces expressing a strong emotion and this was a reminder that I need to do more of them. I think the girl looks more scared than happy in my painting... And I can't even put my finger on what exactly is wrong. Maybe I'll do a drawing next time - but then it wouldn't be one of my 30 (35 or 40 in this case) minute portraits anymore.
Watercolor on Canson Montval CP 140lb, treated with acrylic gloss gel medium in some areas. 9x12". Photo reference: Angela from Julia Kay's Portrait Party.
For those interested to know what "treated with acrylic gloss gel medium" means, here is what happened. After I decided on the composition, I wanted some extra texture in her hair. I accomplished that by taking some gel medium and brushing it on the blank sheet of paper with a 1" bristle brush. You can see the lines in the upper and lower left and grain throughout the painting. The lines are the result of a little more medium on the brush; the grain effect happens when you drag an almost dry brush across the paper and the medium catches only the very top of the paper grain.
I uploaded a larger than usual image for you to see the texture close-up. Needless to say, I would be very upset if somebody used this image for their own commercial purposes. So don't :).
Watercolor on Canson Montval CP 140lb. No drawing. Took me around 40 minutes total, with a lot of distractions and interruptions. I REALLY do not appreciate being distracted when I paint :(
Reference image is a fantastic photo by Patrick Hedges from WetCanvas reference library. I wasn't quite able to capture her expression, but it was worth a try.
Watercolor and watercolor stick (American Journey Andrew's Turquoise) on Canson Montval 140lb paper. 9x12". 25+5 minutes. I liked working with a watercolor stick here. I used it in between watercolor washes, while the paint was drying. Photo reference is Giorgio Bordin from Julia Kay's Portrait Party, a physician, photographer and artist all-in-one.
The photo was black-and-white - which is perfect for making colors up :)
